In the catalog announces the late painter debut in Dorothy Hood in Mexico, Pablo Neruda Chilean poet has described its art by internationing contradictions. It shows the late work, Dorothy Hood: Remember something out of time – The first show of the Painter of New York in 43 years – proves the view of Neruda.
Born in 1918 in Bryan, Texas, artist spent decades of Mexican post between an international coterie. José Clemente was reconciled with Orozco Muralist and Luis Buñuel, Frida Kahlo and Leonora Carrington. Modernists, like the hood, the avant-garde strategies applied idiosyncratic imagination and often literary strategies. In view of this pedigree, it has been associated with Surrealists of Latin America, pre-image and myth and then the contemplation of the formalism of the color field movement. Talking to himself, the bell split the critical difference, calling himself “abstract surreal”.
In Remember something out of timeLinks like this fall shows while the visitor is in the hood while diving in the dramaturgy. Eight large-scale, especially red red boxes refer to themselves known as remote land above. “Going V” (1997) could be a aerial view of a bright red lava pool, and the details of the “Cloud Brown Fleinging” (1970s C. C. 1970s).
Despite the real world associations, these paintings are also communicated to the mood or weight of large tones, among the humor between peace of mind and fear, his paintings “are my psycho landscapes.” “Hard tribute to Arshile Gorky” (1970s), the rectangular red shapes drills asymmetric blue gray.
Similar models of similar “unnamed” (1980s “and” 1980s) were first reported by paintings like a 1980s, agitated and blue stains are red and blue, black and white in a monochromatic background; In the latter, a large horizon arc appears that resembles the distorted satellite image of a unnamed planet.
Here are the most amazing jobs that throw abstraction are large figurative drawings and make the hood interest in other dimensions of explicit. Sinuous drawing like “terrible flowers” (1970s), representing humanoid figures.
Signs of time and dislocation also encourages “Picasso” Picasso “(1982-97), stationary paper and the Paloma Picasso signature logo that includes the cubic techniques and “The criteria for reorganization of ‘Haiti’ or “1982-97), and are secretary brown abstractions. Work-solutions, the work of work detected in today’s decades, a transhistoric aesthetics of the” Aesthetic human pain “of Hood together.
In this regard, “Untinned 1050” (1982-97) could be elegy in Hood for split our culture, and even encoded swanong encoded to grazing. Collage has Georgia O’Keeffer’s watercolor “afternoon star” (1917) (1917), as well as a fall leaf inside the golden sheets, and the image of the physics of the physics made in an experiment. This type of multi-assessment artifact can imagine the NASA program in Houston. Hood interacted with scientists and astronauts. When booting from outside space, the ground is looking for deck humanity and not looking for humanity.
Dorothy Hood: Remember something out of time Hollis is followed by Taggart (521 West 26th Street, Chelsea, Manhattan). Until April 12th. The exhibition gallery commissioned.
